email: perform.nsingh@gmail.com / instagram: nicolasingh
Based in Newcastle upon Tyne UK.
all girls together, and what they really, really want
commissioned by Foundation Press, Sunderland
performed at BALTIC Artists Book Fair NEWCASTLE 2016
Photo Credit: Adam Phillips
Slapping Noises
FIGURE FOUR, BALTIC 39 NEWCASTLE 2017
Photo Credit: Colin Davison
there is world sometimes
collaboration with Timothy Murray, Yunuen Rhi and Wojciech Kosma
commissioned by The NewBridge Project 2015
Photo Credit: Kuba Ryniewicz
Sexy Beach
commissioned by Modern Cultures
performance at Northern Gallery for Contemporary Art, as part of the 'Emotional Resources' symposium 2014
Chasing Waterfalls, with Adriana Rojas-Víquez
commissioned by BxNU BALTIC and Northumbria University
performed as part of RIFF/T, BALTIC 39, NEWCASTLE 2014
Photo Credit: 4130 Photography
perfect 36
commissioned and curated by Sarah Bayliss,
part of her group show 'Through The Gap Increasing' BALTIC 39, NEWCASTLE 2014
Photo Credit: Colin Davison
Slapping Noises
FIGURE FOUR, BALTIC 39 NEWCASTLE 2017
Photo Credit: Colin Davison
all girls together, and what they really, really want
commissioned by Foundation Press, Sunderland
performed at BALTIC Artists Book Fair NEWCASTLE 2016
Photo Credit: Adam Phillips
high density reconstituted foam
commissioned by Musee Imaginaire
performed at Northern Charter, NEWCASTLE 2013
Photo Credit: Ilana Mitchell
Your're torturing me David. Torture me so I can learn.
commissioned by Cathy McLaurin and Courtney McClellan
New Art Centre, Boston USA 2016
Photo Credit: Josefin Bengtsson

'the sounds here are bouncing around us and Susan and Anne and that object'
solo show at BALTIC 39, NEWCASTLE 2017
Photo Credit: Josefin Bengtsson
slanting, semi-cascade - with Hannah Buckley
part of 'the sounds here are bouncing around us and Susan and Anne and that object'
solo show at BALTIC 39, NEWCASTLE 2017
Photo Credit: Fiona Larkin
they go into a little room and they bang a little drum - with Harriet Plewis
part of 'the sounds here are bouncing around us and Susan and Anne and that object'
solo show at BALTIC 39, NEWCASTLE 2017
Photo Credit: Fiona Larkin
'the sounds here are bouncing around us and Susan and Anne and that object'
solo show at BALTIC 39, NEWCASTLE 2017

'the sounds here are bouncing around us and Susan and Anne and that object'
solo show at BALTIC 39, NEWCASTLE 2017

'the sounds here are bouncing around us and Susan and Anne and that object'
solo show at BALTIC 39, NEWCASTLE 2017
Photo Credit: Josefin Bengtsson
Skype reading events with Linda Stuppart, Jenny Moore, Timothy Murray and Susie Green
part of 'the sounds here are bouncing around us and Susan and Anne and that object'
solo show at BALTIC 39, NEWCASTLE 2017

Risograph Print
with Foundation Press, Sunderland (2016)


POWER GRAB - with Helen Collard
part of 'the sounds here are bouncing around us and Susan and Anne and that object'
solo show at BALTIC 39, NEWCASTLE 2017
Photo Credit: Fiona Larkin
we stand out the most when we stand out together
choreographed parade commissioned by Wunderbar Festival, NEWCASTLE 2013
Photo Credit: 4130 Photography
we stand out the most when we stand out together
choreographed parade commissioned by Wunderbar Festival, NEWCASTLE 2013
Photo Credit: 4130 Photography
In Praise of Shadows - with Rhodri Davies, Paul Dunmall, Chris Greive, Impossibility Knox, Mark Sanders, Nicola Singh and Sue Tompkins
commissioned by Wunderbar Festival, NEWCASTLE 2013
Photo Credit: 4130 Photography
In Praise of Shadows - with Rhodri Davies, Paul Dunmall, Chris Greive, Impossibility Knox, Mark Sanders, Nicola Singh and Sue Tompkins
commissioned by Wunderbar Festival, NEWCASTLE 2013
Photo Credit: 4130 Photography
In Praise of Shadows - with Rhodri Davies, Paul Dunmall, Chris Greive, Impossibility Knox, Mark Sanders, Nicola Singh and Sue Tompkins / commissioned by Wunderbar Festival, NEWCASTLE 2013 / Photo Credit: 4130 Photography
In Praise of Shadows
Photo Credit: 4130 Photography
chiffon sponge
images from a performance commissioned by LUX Scotland
crossing the line, curated by Gayle Meikle, Glasgow Film Theatre, Glasgow, 2017
Exercise with 'the feminist reading group', organised by Nadia Hebson, Northern Charter, NEWCASTLE 2016
Photo Credit: Susie Green
Exercise with 'the feminist reading group', organised by Nadia Hebson, Northern Charter, NEWCASTLE 2016
Photo Credit: Susie Green
You're Torturing Me David. Torture Me So I Can Learn, New Art Centre, BOSTON USA, 2016
Drawings for original costume
slanting, semi-cascade - with Hannah Buckley
part of 'the sounds here are bouncing around us and Susan and Anne and that object'
solo show at BALTIC 39, NEWCASTLE 2017
Photo Credit: Fiona Larkin
commission from BALTIC Centre for Contemporary Art - performance event for FAMILY DAY (July 2017)
realised with Serena Korda, Susie Green. Heather Bonnie Reid, Rachel Aggs, Rachel Harwood, Janina Sabaliauskaite, Flora Whiteley, Hannah Kirkham and Naomi Daley
Photo Credit: Janina Sabaliauskaite
commission from BALTIC Centre for Contemporary Art - performance event for FAMILY DAY (July 2017)
realised with Serena Korda, Susie Green. Heather Bonnie Reid, Rachel Aggs, Rachel Harwood, Janina Sabaliauskaite, Flora Whiteley, Hannah Kirkham and Naomi Daley
Photo Credit: Janina Sabaliauskaite
commission from BALTIC Centre for Contemporary Art - performance event for FAMILY DAY (July 2017)
realised with Serena Korda, Susie Green. Heather Bonnie Reid, Rachel Aggs, Rachel Harwood, Janina Sabaliauskaite, Flora Whiteley, Hannah Kirkham and Naomi Daley
Photo Credit: Janina Sabaliauskaite
Sweet Spot (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo: Anna Arca.


Sweet Spot (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo: Anna Arca.


Sweet Spot (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo: Anna Arca.


Sweet Spot (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo: Anna Arca.


Sweet Spot (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo: Anna Arca.


Sweet Spot (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo: Anna Arca.


Sweet Spot Performance with Jenny Moore and Harriet Plewis (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo © Hydar Dewachi

Sweet Spot Performance with Jenny Moore and Harriet Plewis (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo © Hydar Dewachi

Sweet Spot Performance with Jenny Moore and Harriet Plewis (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo © Hydar Dewachi

Sweet Spot Performance with Jenny Moore and Harriet Plewis (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo © Hydar Dewachi

Sweet Spot Performance with Jenny Moore and Harriet Plewis (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo © Hydar Dewachi

Photo © Hydar Dewachi

Sweet Spot Performance with Jenny Moore and Harriet Plewis (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo © Hydar Dewachi

Sweet Spot Performance with Jenny Moore and Harriet Plewis (2017)
Originally commissioned through 3-Phase, supported by Jerwood Charitable Foundation, Eastside Projects and WORKPLACE. Photo © Hydar Dewachi